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context within which a work is heard becomes a critical factor in
the listener's response to the work, and audiences have responded
enthusiastically to this format of live performances of classical
music within a cultural and historical perspective. According to the
New York Times (1998), "Bard has been staging these reevaluations
of great composers since the beginning of the decade . . . the scope
of discovery is immense." The Bard Music Festival offers both intimate
settings for its concerts and affordable ticket prices.
The 600-acre
Bard College campus two hours north of New York City provides an
idyllic and informal festival setting. Orchestra concerts are performed
in an 800-seat acoustical tent on a lawn overlooking the Catskill
Mountains.
Chamber music
and recital concerts are presented in the Collegešs 350-seat F.
W. Olin Auditorium. Events
take place over two consecutive weekends, not only to accommodate
the extensive selection of concerts and discussions, but also to
give visitors opportunities to
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enjoy picturesque settings for picnics, walks, and relaxation in
the beautiful Hudson Valley. Food and beverages are available for
purchase before and between performances. Perhaps the Financial
Times (1996) has best summed up the Bard Music Festival experience
with the observation that "one comes away wiser than one was, and
it is a pure bonus that the Hudson Valley is such a pleasant place."
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