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Designed by internationally
acclaimed architect Frank Gehry, the 110,000-square-foot Richard
B. Fisher Center for the Performing Arts at Bard College houses
two theaters; four rehearsal studios for dance, theater, and
music; and professional support facilities. The Sosnoff Theater,
an intimate, 900-seat theater with an orchestra, parterre,
and two balcony sections, features an orchestra pit for opera
and an acoustic shell designed by Yasuhisa Toyota that turns
the theater into a first-class concert hall for performances
of chamber and symphonic music. The infinitely flexible Theater
Two houses Bard’s Theater and Dance Programs during
the academic year. The Fisher Center is also the home of the
Bard
Music Festival, entering its 19th season in August
2008, and will play host to companies from the United States
and abroad during Bard
SummerScape, a festival of opera, theater, and dance.
For more information about tours of the building click
here. |
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In the early 1970’s
Bard College’s theater, the Old Carriage House, on the
Blithewood estate burned down. Eventually, in the late 1970’s
the college completed the building of what is now the Avery
Arts Center with limited facilities to house theater, dance,
and music near the Edith C. Blum Institute, and later in the
1980’s added the 375-seat F.W. Olin Auditorium for lectures
and small chamber programs.
Throughout the 1980’s
and 1990’s it became clear that the college needed to
expand its teaching and performance space to meet its curriculum
needs, and to create a regional performing arts facility which
could be part of a larger-scale effort to develop the Hudson
Valley as a destination point for cultural tourism.
The
current facility is the result of planning that began in the early 1990’s
in cooperation with community leaders. The success of the effort to build the
Richard B. Fisher Center for the Performing Arts at Bard College coincides
with the development of other facilities in the region including the opening
of the
DIA Center, the expansion of Storm King, and the success of Bard’s own
Center for Curatorial Studies with its exhibition space.
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